07.31.26—0.9.12.26
SNOW PIX 26: a group exhibition of over 100 photos of snow.
Contributors included: Adelina Metz, Andrew W. Allison, Ash Huse, Bethany Krull, Brigid O’Connor, Cole Pawlowski, D. Sloan, Dan Citriniti, Emmie Harvard, Gerald Mead, Ghen Dennis, Ginny O’Brien, Greg Rohall, H Boone, Izzy Knapp, Jason Contangelo, Jessica Cuello, John Pullano, Joshua Benton Carnegie, Julia Dzwonkoski, Julia O’Quinn, Kaija Siirala, Kalmia Strong, Kevin Connor, Kimberly Carter, Kyla Kegler, Lauren Pullano, Liz Mahoney, Lucas C. Ospina, M Yuhnke, Maddie Klepfer, Martha Shane, Max Collins, Michael Basinski, Miranda Bauch, Nicholas C Christakis, Nicholas Gordon, Olivia Hobai, Palmer Segner, Paul Knopf, Peter Horn, Ryan Lysarz, Sarah Rosenbluth, Silas Rubeck, Taylor DeGroot, Thomas Callahan, Tico Taussig, Trevor Kearns, and Zak Stirling.
Below are some of the photos that were included in the show:
05.01.26—06.13.26
Catastrophe & Diagram featured works by Nando Alvarez-Perez, H. Boone, Julia Dzwonkoski, Maximilian Goldfarb, Natalie Hayes, Alexa Kanarowski, Kyla Kegler, Paul Knopf, Christopher Michael, Silas Rubeck, and D. Sloan
The show took inspiration from the lectures of Gilles Deleuze, whose writings describe the generative intersection between art and philosophy. Specifically, Deleuze describes the importance of two types of grey—the first, a black-white grey that defines the frame from which an artwork emerges, and the second, a red-green grey where the components of an artwork collapse to reemerge as color and light. In the creation of a new work of art, we are manifesting a “controlled” catastrophe.
03.06.26—04.17.26
Our inaugural exhibition, Cold Visions, featured the work of three photographers—Dmitry Gudkov, Palmer Segner, and Alex Christopher Williams.
These artists explore landscapes and communities often defined by cold—whether climate or social. In Cold Visions, “cold” operates on multiple registers: snowy terrains, urban peripheries, and spaces shaped by isolation or inequity. Rather than reinforcing narratives of desolation, these works gesture towards grace, even joy.
This project was supported by The Generator Fund, a grant for artists administered by The Buffalo Institute for Contemporary Art and funded by the Andy Warhol Foundation for the Visual Arts.
