05.01.26—0.6.13.26

Catastrophe & Diagram featured works by Nando Alvarez-Perez, H. Boone, Julia Dzwonkoski, Maximilian Goldfarb, Natalie Hayes, Alexa Kanarowski, Kyla Kegler, Paul Knopf, Christopher Michael, Silas Rubeck, and D. Sloan

The show took inspiration from the lectures of Gilles Deleuze, whose writings describe the generative intersection between art and philosophy. Specifically, Deleuze describes the importance of two types of grey—the first, a black-white grey that defines the frame from which an artwork emerges, and the second, a red-green grey where the components of an artwork collapse to reemerge as color and light. In the creation of a new work of art, we are manifesting a “controlled” catastrophe.

Catastrophe & Diagram opened Friday, May 1st from 6 to 9pm and was on view through June 13th. 

03.06.26—0.4.17.26

Our inaugural exhibition, Cold Visions, featured the work of three photographers—Dmitry Gudkov, Palmer Segner, and Alex Christopher Williams.

These artists explore landscapes and communities often defined by cold—whether climate or social. In Cold Visions, “cold” operates on multiple registers: snowy terrains, urban peripheries, and spaces shaped by isolation or inequity. Rather than reinforcing narratives of desolation, these works gesture towards grace, even joy.

Cold Visions was on view from March 6th through April 17th. 

This project was supported by The Generator Fund, a grant for artists administered by The Buffalo Institute for Contemporary Art and funded by the Andy Warhol Foundation for the Visual Arts.